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诱饵2019剧情简介
康(kāng )沃尔(ěr )渔(yú )(🌠)村(cūn )的(🔨)风景明(míng )信片(🥇)田园(yuán )诗误(wù )导了人们。虽然过去钓鱼是一种养家(jiā )糊口(🎹)的方式，但如(rú )今富有(yǒu )的(de )伦敦(💤)游客(kè )纷纷下山(shān )，取代了当地人，当地人的生计因此受到威胁。史蒂文和马(mǎ )丁兄弟的(de )(🚉)关系也很紧张。马丁是一个(🍮)没(méi )有船的渔夫，因为史(🤯)蒂文(wén )开始用它来(lái )为一整天(tiān )的游(yóu )客提供更(🛑)赚(zuàn )钱的(de )(🖲)旅游(❔)。他们卖掉了这座家庭别墅，现在看来(🙌)，最后一场战斗是和(hé )新主人在海(hǎi )边(biān )的停车(👃)位(wèi )上(shàng )展开(🤲)。然而，情况很(🏯)快就失控了，而不仅仅是因为(wéi )车(chē )轮夹钳。 (💔)Bait是一种黑白(🦇)，手工(gōng )制(zhì )作，16毫米胶片制作(💅)的电影。许多关于鱼、网(💿)、龙虾(🈺)、长靴、(😙)绳(shéng )结和渔篮的特写镜头让人想起(qǐ )了(🍽)蒙太奇景(jǐng )点的理论(lùn )。对不同社(shè )会阶层的(de )(🚡)描述——可(🚽)以(🎐)说是阶级关系——也让人想(xiǎng )起了(🛃)英国(guó )电(diàn )影中(🤼)的(de )(❓)社会现实(shí )主义传统。然而，最重要的是，在(zài )影(🐈)像(xiàng )中(zhōng )不同层次的电(diàn )影历史(💛)参考文献(xiàn )之下，当前许(xǔ )多政(🍾)治关(guān )联正在等待被发现。 (🏆) The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. (🧒) Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.视频本站于2025-05-14 06:05:24收藏于/影片特辑。观看内地vip票房，反派角色合作好看特效故事中心展开制作。特别提醒如果您对影片有自己的看法请留言弹幕评论。
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